COLLOQUY OF MOBILES 1968 (www.medienkunstnetz.de)
Imagine walking into a gallery and seeing these larger-than-life mobiles hanging from the ceiling — they rotate, blink, squawk, and sometimes synchronize with each other, completely without human intervention. You walk among them, blocking their interactions, using a flashlight to attract their attention, wanting to get in on their conversation.
This was Gordon Pask’s COLLOQUY OF MOBILES at the Institute for Contemporary Art in London, part of an exhibition called Cybernetic Serendipity in 1968. Yes, 50 years ago in 1968 — an exploration of machine-to-machine and person-to-machine conversations in an interactive, immersive environment, perhaps the first of its kind. Frequently praised for its originality and influence, Pask’s COLLOQUY is a precursor to practices of contemporary art and design, as well as a prescient vision of our future with machines that may choose to act on their own.
To “design our world” has been the goal of every human generation. Every day we wake up to an invitation to become whom we wish to become. I believe the role of design is to help all of us to achieve that goal for ourselves — that is, to be designers of our own world.
Ambitious, I realize. As is trying to tame wicked problems through design.
But what is “design” anyway? Why isn’t “design thinking” enough? And what’s this got to do with cybernetics, anyway? I offer viewpoints in my Heinz von Foerster ’17 Lecture, entitled Designing Our World: Cybernetics as Conversations for Action. See the abstract, video, and supporting materials here.
Not an iPhone but an architecture of services that it inspired for a report for Samsung in 2010.
I remember June 29, 2007, as if it were yesterday (almost). I bought my first iPhone from the Apple Store on Fifth Avenue in New York City on the first day it came out. I had worked all day on a typical consulting gig from my apartment, which was a 10-minute walk to the flagship Apple store. Around 4pm I had done enough so I figured, What the hell? — yes, it was that casual — I’d stroll over to see what was up. What I found was a party. I hadn’t intended to, but I got on line to buy. Read more…
Chaos Contained – Paintings by Boo Mitford 2005 – 2015
The Cybernetics Conference, held in New York City on November 18, 2017, was an extraordinary gathering of passionate individuals interested in design, media studies, art, and the future of society.
At the conference opening, Michael Yap and I held a keynote conversation titled “Now What: Cybernetics, Design, and Society.” The livestream of this keynote is available, as well as a PDF of the slides (thanks to Michael and Pooja Upadhyay).
The entire conference livestream is available here.
We want to acknowledge the fabulous arrangements from all of the organizers, especially Sam Hart, Melanie Hoff (who also did program and website design), and Francis Tseng. Special thanks to Joly McFie who ran the webcast and was the only person at the conference who was present at Cybernetic Serendipity in 1968 in London, mentioned during our talk.
I personally hope The Cybernetics Conference, New York City, becomes a yearly event, perhaps a resurgence of the Macy Meetings, that were the foundation of the breadth and depth of cybernetics, held in the 1940s and 1950s. It is time.
From Alan Kay’s “A Personal Computer for Children of All Ages”, 1972
It would be tl;dr for a blogpost to explain the originality and contributions that Alan Kay has made to interaction design. We’re fortunate that he delivered an extended real-time lecture by video on October 9, 2017, to grad and undergrad students, hosted by the Interaction Design Evolution course, a.k.a. Studio III in the MFA Interaction Design program at CCS.
Alan has been deeply influencing interaction design from the time he conceived what we now call the iPad—though his concept went much further and was explicitly a learning tool. And he named it more descriptively: the Dynabook (1968-1972). He had a relationship with Steve Jobs and famously said that he thought the original Mac from 1984 was “the first personal computer good enough to be criticized.” Wait… what? Yup.
This series of vessels made from eggshells by 2017 Color & Materials graduate, Roma Rupani began by looking at discarded food ingredients as a source for innovating surface, appearance and texture. The project led by Kelly Slank introduced the work of Laurence Humier, in her project Cooking Material. By contrast Ying Zhang focussed on using a variety of Chinese food ingredients; peppers, shaved coconut and beans to create playful and interesting results, captured in resin with a range of gloss levels, she speculated possible applications.
In Fall 2017, the MFA program at CCS is introducing a new studio course called “Interaction Design Evolution.” The course invites students to riff on prior innovations in the history of interaction design and then to invent their own. Seriously.
Rendering of Vannevar Bush’s MEMEX concept from 1945
One example from history: Vannevar Bush’s “MEMEX” comes from the 1940’s. Bush conceived it as a desk containing vast amounts of information stored on reels of microfiche (because digital magnetic media didn’t yet exist). Bush imagined retrieval of information based on what we now call tagging, achieved here by visual splotches on the edge of the frames of microfiche. We’ve got tagging in modern, digital web browsers (with vastly greater numbers of tags and vastly greater speed). But Bush also imagined two displays—not one, as we have today. Why?